Foundational within Rafaat Ishak’s practice is an interest in and knowledge of Arabic and Western art histories, and the evolving contemporary collisions and mutations through migration and points of conflict. Through painting, drawing and installation, Ishak has created a unique visual language that explores concepts of cultural intersectionality, recontextualising cultural motifs from the Middle East and the West to reflect upon a more porous global context, yet one still marred by ideological differences. For his project at Gertrude, Ishak continues this interest in cultural transference and the collapsing of historical temporalities, constructing a staircase through the gallery ceiling, enraptured by a suite of paintings that examine an imaging of the 19th century classical revival in Athens and mid 20th century Australian warplane industry.