exhibitions

ERIC DEMETRIOU

ERIC DEMETRIOU: SANATERRARIUM
13.05.2017 – 03.06.2017

Exhibition Opening: Saturday 13 May, 4–6pm

Location: Gertrude Glasshouse, 44 Glasshouse Road, Collingwood

Feat. Decorination, Makiko Yamamoto, Sam George, Kalinda Vary, Camila Galaz, Travis John, Joel Stern, Frogs, Crickets and many more...

Eric Demetriou completed a Masters of Fine Art at the Victorian College of the Arts in 2013, and has shown at Mildura Palimpsest #9, Contemporary Art Space Tasmania (CAST), Sawtooth ARI, Bus Projects, Blindside, Gertrude Contemporary and The Substation. As a performer he has toured abroad to perform in venues and events such as The MCA Art Bar, Melbourne Art Centre, The Avoca Project, West Space, The International Noise Conference, Boogie Festival, and The University of Melbourne CarPark. Demetriou is currently a Gertrude Studio Artist.

Gertrude Glasshouse Opening Hours: Thursday–Saturday, 12–5pm

RY HASKINGS: KNITLOCK HOARDERS SENTINEL
04.03.2017 – 01.04.2017

Exhibition Opening: Saturday 11 March, 4–6pm
Location: 44 Glasshouse Road, Collingwood
Opening Hours: Thursday–Saturday, 12–5pm

knitlock hoarders sentinel is a solo project by Gertrude Studio Artist Ry Haskings that uses structural forms to explore ideas of control and escape.

Referencing discourse and theory of the late twentieth-century, knitlock hoarders sentinel uses the concept of the grid and distorts its uniformity to speculate upon the rules, structures and systems of our contemporary world.

In relationship with the architectural features of Gertrude Glasshouse, Haskings presents large steel grids, each framing pictures. He interferes with traditional and generic forms by skewing the position of these gridded frames in the space. Within these steel frameworks Haskings overlaps images of order and disorder selected through a network-like research methodology, where an image from one event or experience leads onto the next image and so on.

This practice of image-making is also reflected in a video work embedded within the gridded installation, in which the camera tracks three films on three different screens, moving from film to film without any reason or predictability.

Rather than condemning or suggesting an alternative to structural controls, knitlock hoarders sentinel poses a question of the grid by exploring its controlling aspects and testing the flexible points of the geometry and structure that organises contemporary life.

Click here to read more about the artist.

Click here to download the media release.

GERTRUDE EDITIONS 2002-2016
26.11.2016 – 17.12.2016

Exhibition dates: 26 November–17 December, 2016
Exhibition opening: Saturday 26 November, 4–6pm
Location: Gertrude Glasshouse, 44 Glasshouse Road, Collingwood.
Artists: Paul Yore, Jess Johnson, Anne-Marie May, Jon Campbell, Richard Lewer, Michelle Ussher, John Meade, Benjamin Armstrong, David Rosetzky, Nicholas Mangan, Robert Owen, David Noonan, Emily Floyd, Kate Beynon, Ricky Swallow.

Gertrude Contemporary is delighted to announce that the 2016 Gertrude Edition will be produced by Paul Yore (represented by Neon Parc, Melbourne), who held a studio at Gertrude from 2011–2013. For this year's Edition, Yore has created 52 unique works on fabric—one for each lower and upper case letter in the alphabet—each representing a phobia or anxiety.

The Gertrude Editions are a series of specially commissioned limited edition works by a Gertrude Alumni Artist. The Editions are an annual initiative established in 2002 to support Gertrude's artistic program and to promote the connection between our studio program and our celebrated Alumni. Gertrude Editions are held in major private and institutional collections including the Museum of Contemporary Art, Sydney; National Gallery of Victoria, Melbourne; and Monash University Museum of Art, Melbourne.

This year, Yore's Editions will be sold for $1650 each (inc. GST). They will be released for public sale at Gertrude Glasshouse on Saturday 26 November at the opening of Gertrude Editions (2002–2016), which will bring together all of the 
previous Gertrude Editions alongside the full set of Yore's 2016 Gertrude Edition. 

Click here to purchase your Paul Yore Gertrude Edition.


The previous Gertrude Edition artists are 
Jess Johnson, Anne-Marie May, Jon Campbell, Richard Lewer, Michelle Ussher, John Meade, Benjamin Armstrong, David Rosetzky, Nicholas Mangan, Robert Owen, David Noonan, Emily Floyd, Kate Beynon, Ricky Swallow.

GERTRUDE GLASSHOUSE:
44 Glasshouse Road, Collingwood.
Thursday–Saturday, 12–5pm.


Gertrude Glasshouse is an accessible venue. Visitors with wheelchairs and strollers are recommended to be dropped at the gallery or park on Rokeby Street and access Glasshouse Road from the Rokeby Street end.

Click here to view the media release.

Image: Paul Yore, Arachnophobia, 2016. Courtesy of the artist and Neon Parc, Melbourne.

BROOKE BABINGTON, 'AFFIDAVIT VITO ACCONCI'
05.11.2016 – 19.11.2016

Exhibition dates: 5–19 November 2016
Exhibition opening: Saturday 5 November, 4–6pm
Location: Gertrude Glasshouse, 44 Glasshouse Road, Collingwood VIC 3066


Gertrude Contemporary is pleased to present AFFIDAVIT VITO ACCONCI, a project by Gertrude Studio Artist Brooke Babington at Gertrude Glasshouse. Babington will present new work alongside work by Lauren Burrow, Rebecca Joseph, Spencer LaiPip Wallis and Ross Wallace in a loosely/group curated 'solo show' proposed to test the elasticity of the increasingly present artist-curator role in contemporary art.

Building on her June exhibition 
Wet eyed sissies at Bus Projects, in which Babington featured work by Burrow and Joseph, AFFIDAVIT VITO ACCONCI emerges obliquely from the theme of 'female/queer delinquency' to reconsider the radical potential of gendered bravado as an active rebellion against the structural apparatuses that motivate good citizenry and that reproduce normative power relations.


Brooke Babington is an artist, writer and curator. Her work frequently engages in ideological critique, exploring power and social dynamics, language and the mythology of the artist/exhibition. From 2013–2014 Babington was the Director of Slopes, a twelve-month, not-for-profit project space in Melbourne. Recent exhibitions include, Wet eyes sissies (featuring Lauren Burrow and Rebecca Joseph), Bus Projects (2016); No Nuisance, The Alderman (2015); What Has (Has Not), TCB Art Inc., (2013); Synonyms for Sincerity, Alaska Projects, (2013). Babington's curatorial projects include, Thin Air, Slopes (2014); Why Not Walk Backward? (with Liang Luscombe), Gertrude Contemporary, (2014); Between Being and Doing (with Melissa Loughnan), Utopian Slumps, (2013).

Click here to view the media release.

Gertrude Glasshouse is an accessible venue. Visitors with wheelchairs and strollers should access Glasshouse Road from Rokeby Street.

Image credit: Rosie Issac.

[...] {...} [...]
21.10.2016 – 29.10.2016

[...] {...} [...]
Fayen d'Evie, Troy McConnell, Sophie Takách, Prue Lang.

Gertrude Contemporary is pleased to present [...] {...} [...] at Gertrude Glasshouse. This project was initiated by Gertrude Studio Artist Fayen d'Evie in collaboration with Troy McConnell, Sophie Takách and Prue Lang; with Bryan Philips, Terry Foley, Louella Hogan, Benjamin Hancock and Harrison Ritchie-Jones.

Throughout October Glasshouse has been the site for a series of trans-sensory and inter-material translations, accumulating as an evolving haptic exhibition:

//audio-description transfigured as generative, vibrational practice / movement improvisations / hide(s) / work -- works -- work sites / articulated armatures / materials under tension / skin(s) / boundaries of encounters / resistance / responsiveness / contraction and release / transmission from body to material, from material to body, from material to material, from body to body / scores for encounters between bodies and material histories / taxonomies of touch / imprints of contact / distributed authorship / activation / elasticity / vibrational silence / private handovers / public handovers / removal / retreat / return / repeat //

Glasshouse will be open to the public at select times to view the exhibition outcome. There will also be two public events and performances. See the full schedule below:


FRIDAY 21 OCTOBER
Open to the public 1:00pm – 4:30pm
Opening Performance and Public Conversation: 2:00pm – 3:00pm. 

SATURDAY 22 OCTOBER 
Open to the public 12:30pm – 4:30pm.

THURSDAY 27 OCTOBER
Open to the public 2:00pm – 5:00pm

FRIDAY 28 OCTOBER 
Open to the public 2:00pm – 5:00pm

SATURDAY 29 OCTOBER
Open to the public 2:00pm – 8:00pm
Closing Performance and Celebration: 6:00pm – 8:00pm. 

LOCATION: 44 Glasshouse Road, Collingwood VIC 3065. Gertrude Glasshouse is a wheelchair accessible venue. Visitors with wheelchairs and strollers are recommended to arrive via Rokeby Street.

Image: Fayen d'Evie, Troy McConnell, Sophie Takách and Prue Lang, 2016.  [...] {...} [...] handovers + translations. Phase 1. FdE, TmC, ST, with Terry Foley and Bryan Phillips.  Shared action involving objects / hide / feel of kelp, shammy, wet sponge. Photo credit: Pippa Samaya

Click here to view the media release.

ARTIST BIOGRAPHIES

Fayen d’Evie explores blindness as a radical critical position and as a generative methodological principle, which agitates ocularcentric norms of exhibition-making, opening terrain for artistic and curatorial practice attuned to complex embodiment, translation, haptic discourse, structural politics, perceptual enquiry, ephemerality, and the perpetually invisible. Fayen is also the founder of 3-ply, which investigates artist-led publishing as an experimental site for the creation, mutation, dispersal and archiving of texts. Fayen is based in rural Victoria, and is a current studio artist at Gertrude Contemporary, Melbourne, and a Phd candidate in Curatorial Practice at Monash University. Fayen graduated from the Victoria College of the Arts (Painting) in 2011. Recent exhibitions include: (2016) Human Commonalities, V.A.C. Foundation and the State Museum of Vadim Sidur, Moscow; Endless Circulation: TarraWarra Biennial, Healesville; The Gravity, the Levity, Kadist Art Foundation, San Francisco; Habits and Customs..., Kadist Art Foundation, Paris; (2015) 3rd Ural Industrial Biennial, Yekatarinburg; The Material Turn, Margaret Lawrence Gallery, Melbourne; Not All Treasure is Silver and Gold, Mate..., West Space, Melbourne; Just as Money is the Paper, the Gallery is the Room, Osage Art Foundation, Shanghai; (2014) Macquarie Group Emerging Artist Prize, Sydney; No, You’re Product, Slopes Projects, Melbourne; Sunny and Hilly, Minerva, Sydney; Melbourne Now, NGV, Melbourne.

Troy McConnell is an artist and writer based in rural Victoria. Through his paintings, he explores dynamic gestures and markmaking. His poetry ranges from the emotional turbulence of shipwrecks to the hunting grounds of the spider “straining every nerve for the slightest vibration”. Troy is currently working on a series of stories tracing the adventures and misadventures of Bomber, an eternal optimist who never thinks through the consequences. Troy’s collaboration in this exhibition is facilitated by a partnership between SCOPE Victoria and Gertrude Contemporary.

Sophie Takách is an emerging artist whose object-based sculptural practice incorporates performative action and ephemeral installation. Drawing on a deep interest in science and the underlying physical processes that make up of the material world, she exploits the interactions between force and matter to reveal otherwise intangible forms and actions. Previous exhibitions include 'The Material Turn' curated by Rebecca Coates, Margaret Lawrence Gallery, (peculiar/particulate) a working model collaboration with Susan Jacobs, c3 Contemporary Art Space, and Benglis 73/74 curated by Geoff Newton at Sutton Gallery Project Space. Sophie’s work is included in the artist book collection of Monash University and held in private collections. She lives and works in Melbourne, and is currently undertaking postgraduate studies in Fine Art at Monash University in Melbourne. 

After graduating from Victoria College of the Arts in 1992, Prue Lang joined Meryl Tankard’s Australian Dance Theatre. In 1996 she moved to France to work with Choreographic National Centre in Angers, Compagnie Cre-Ange in Paris, as well as creating and facilitating her own independent projects. In 1999 she began an important collaboration with William Forsythe as a leading soloist and choreographer of the Frankfurt Ballett and The Forsythe Company. She created five original works for the company. She is also a leading exponent of Forsythe’s improvisation technologies and a researcher with Motion Bank project. Since 2005 she has been working as an independent choreographer presenting her work in international festivals, theatres and museums throughout the world including Theatre National de Chaillot Paris, HAU 3 Berlin, Mousonturm Frankfurt, Tanzhaus NRW Düsseldorf, Tanzplatform Deutschland, STUK Belguim, Festival Mettre-en-scene Rennes, Rencontres choregraphiques internationales de Seine-Saint-Denis, Mains d’oeuvres, Festival faits d’hiver Paris,TATE Modern, London. She has been voted Most Innovative Production, Most Outstanding Choreographer and most Outstanding dancer by Europe’s Balletanz’s Annual Critics’ Survey, awarded in Hybrid Art by the Prix Ars Electronica, and won Green Room awards for Design, Original Choreography and Best Ensemble in Australia.  


HAMISHI FARAH, 'HAMISHI'
10.09.2016 – 01.10.2016

Exhibition dates: 10 September – 1 October 2015
Exhibition opening: Saturday 10 September, 4–6pm
Location: Gertrude Glasshouse, 44 Glasshouse Road, Collingwood VIC 3066

Gertrude Contemporary is pleased to present Hamishi, a solo project by Studio Artist Hamishi Farah at Gertrude Glasshouse. In the words of the artist:

"After painful participation Hamishi Farah retires from Australian Art.

b.1991
Hamishi Farah is a Nigga born in Australia, practicing painting and other media. Upcoming exhibitions at Julie Stoschek Collection, Düsseldorf; Chateau Shatto, Los Angeles; Arcadia Missa, London."

To view the media release click here.

SIRENS (I HEARD VOICES IN THE NIGHT)
13.08.2016 – 03.09.2016

Exhibition dates: 13 August–3 September
Exhibition opening: Saturday 13 August, 4–6pm. 44 Glasshouse Road, Collingwood.

Artists: David Booth, Annie Davidson, Thomas Gibbs, Andy Hatton, Lee Hodson, Camille Javal, Kat Kallady, Adam Lee, Laith McGregor, Rob McHaffie, Nell, Celeste Potter, Kate Shaw, Justin Williams.

Gertrude Contemporary is pleased to present Sirens (I Heard Voices In The Night), a collaborative project initiated by Ben Abraham for Gertrude Glasshouse.

Singer and songwriter Ben Abraham has brought together 14 Australian artists including Gertrude Alumni, Laith McGregor and Rob McHaffie, to respond to songs from his debut album Sirens.

Each artist has created a new work for this project as a means of visually articulating and responding to a specific song from the album. The selected artists include a number of Abraham’s long-time friends and collaborators. In discussing the concept behind this project, Abraham says, ‘I have always been fascinated by the way that narrative moves between art forms, and I’m excited by the idea that the story of a song might exist in another form, and through another storyteller’s eyes. 

The album Sirens will also be present within the exhibition at Glasshouse and visitors will have the opportunity to listen to songs as they view the corresponding artworks via a specifically developed app.

Ben Abraham is a Melbourne-based singer and songwriter, distinctive for his cinematic-folk musical style. Abraham’s background in screenwriting is a key influence in his work, which is underscored by a constant pursuit of narrative and storytelling. Abraham has toured with folk-bluegrass legend, Emmylou Harris and co-written songs with Grammy-nominated singer, Sara Bareilles. His debut album Sirens was relesed in 2016 through independant record label Inertia.

This project was made possible with support from Creative Victoria.

To view the media release click here.

GERTRUDE GLASSHOUSE:
44 GLASSHOUSE ROAD, COLLINGWOOD, VIC 3066.
OPEN: THURSDAY–SATURDAY, 12–5PM.

 

DEBRIS FACILITY PTY LTD, ENDOLITH MORPHOLOGY
16.07.2016 – 06.08.2016

Exhibition dates: 16 July–6 August 2016
Exhibition opening: Saturday 16 July, 4–6pm

Gertrude Contemporary is pleased to present Endolith Morphology, a solo exhibition by Debris Facility Pty Ltd and its Constituent Employees and Stakeholders at Gertrude Glasshouse.

With Endolith Morphology, the Debris Facility Pty Ltd will be Entangling itself in the Showroom surrounds of Gertrude Glasshouse. The public appearance and Inhabitation will utilise Processes of Digestion to obtain Newtrition from materials of Speculative Nourishment. With an attenuated focus on the particular Physical Qualities of mineral samples, we will burrow into them, to further the scope of the Body Corporate. Through Professional Partnerships with other Practitioners, the Scope of Operations has increased, with Video, Performance, Audio offered up as part of a Diverse portfolio of Site Responsive Installation Services.  The Architectural scope of the Gallery will be Amplified through Incursions of chrome scaffolding structures, which act as Framing Devices for plastic membranes; Reactive to Movements, Light and Temperature. The activity from within the gallery allows for the Transport and Logistics of operations to be brought in, Processed, and to Continue on within the care of other Agential Forces. The Facility will be Going Though the Motions within Glasshouse during some Gallery hours, and outside of Public Access viewing times, to Accumulate and Corrode the works and context over the Exhibition Period.

The Debris Facility Pty Ltd undertook a Corporate Takeover of the former practice of Dan Bell in 2015 as a means to Amplify Processes of Resource Re-purposing, Affective labour exchanges, De-materialisation of Value, and Mutations through transport and logistics. The Facility utilises a haptic program of Alterations to objects and contexts, with Public Occurrences existing in States of Flux. The Facility staff aim to provide High Quality services to its Stakeholders in Any Means Engaged. Standards of Excellence will be weaponised to Address any and all Situations The Facility will Encounter: the Adsorption and Parasitic Methods generate a Sumptuous Platter to Feast on.

There will be two public programs to accompany this exhibition:

Performance
Thursday 21 July, 5-7pm
44 Glasshouse Rd, Collingwood

Artist Talk: Debris Facility in conversation with Mark Feary, Artistic Director, Gertrude Contemporary
Saturday 6 August 3pm
44 Glasshouse Rd, Collingwood 

Click here to see the media release.

Debris Facility appears couresty of Debris Facility Pty Ltd

Image: Debris Facility Pty Ltd, Crytoendolith, digital collage, sweat and clenching, 2016-2022. 

 

GERTRUDE GLASSHOUSE 
44 GLASSHOUSE ROAD
COLLINGWOOD VIC 3066
OPEN: THURSDAY–SATURDAY, 12–5pm. 

ROSS COULTER, 'POSITIONS'
18.06.2016 – 09.07.2016

Exhibition dates: 18 June–9 July 2016
Exhibition opening: Saturday 18 June, 4–6pm

Location: Gertrude Glasshouse, 44 Glasshouse Road, Collingwood VIC 3066 

 

Gertrude Contemporary is pleased to present Positions, a photographic series by recent Gertrude Studio Artist, Ross Coulter at Gertrude Glasshouse.

Produced in 2013, Positions explores representations of sexuality and the body in a series of six large-format prints depicting pornographic videos projected onto the naked figure of the artist.

The hyper-saturation of these prints conveys a similar quality to Sittings, a series of 1970s nude portraits of men and women in garish colours and interior settings by Greece-born American photographer, Lucas Samaras.

Coulter describes Samsaras’ work as having a conflicting affect upon the viewer. He says, ‘I feel a strange attraction and repulsion to these photographs of Samaras. The artist is literally lurking in the shadows of his work, looking at me as I look at the nude subjects in his photographs.’ In Coulter’s Positions, the subject is abstracted, with both the figure and the space behind being flattened, as if to be collaged, screened out and shut off.

Ross Coulter is a Melbourne-based artist who primarily uses photography and video in his practice. He completed a Bachelor of Fine Arts (Honours) in 2007 and a Master of Fine Arts in 2014, both at The Victorian College of the Arts. He has exhibited widely in a variety of artist-run initiatives and public institutions in Australia and has received a number of awards and grants, including the George Mora Fellowship at the State Library of Victoria. As part of this fellowship project, Coulter coordinated the release of 10,000 paper planes into the Domed Reading Room of the State Library of Victoria in a multi-camera video work and still photographic performance.

Coulter has recently concluded a two-year residency at Gertrude Contemporary (2014-2016). His forthcoming series Audience will be published as a photo book in 2016 as well as being exhibited at the National Gallery of Victoria in 2017.

 

To view the media release click here.

GERTRUDE GLASSHOUSE
44 GLASSHOUSE ROAD
COLLINGWOOD VIC 3066 

OPENING HOURS: THURSDAY – SATURDAY, 12–5PM

This venue is wheelchair accessible.

NEGATIVE APPROACH
21.05.2016 – 11.06.2016

Exhibition dates: 21 May – 11 June 2016
Exhibition opening: Saturday 21 May 5–7pm 

GERTRUDE GLASSHOUSE: 44 GLASSHOUSE ROAD, COLLINGWOOD

Gertrude Contemporary is pleased to present, Negative Approach at Gertrude Glasshouse. 

This project takes its name from the foundational American Hardcore Punk band, Negative Approach, and examines how the intent and aesthetic residue of Heavy Metal and Punk continues to manifest in art and culture as a methodological approach to making and art. 

With only ever releasing one studio album (Tied Down, 1983) much of what remains of Negative Approach lies across scattered compilations, demos and bootlegs. This project brings together ten artists to chart a similar course through contemporary practice, exploring subcultural influence and material focus across both practice and medium.

The artists include:

- Colleen Ahern
- Lane Cormick
- Pat Foster and Jen Berean
- Marco Fusinato
- Tony Garifalakis
- Jason Greig
- David Mutch
- Dan Price
- Jensen Tjhung

Curated by Dan Price and Shae Nagorcka.

GERTRUDE GLASSHOUSE: 44 Glasshouse Road, Collingwood
OPENING HOURS:Thursday–Saturday, 12–5pm

For a full media release click here.
To view the poster designed by Dane Lovett click here

 

THE DESIGN PLOT
23.02.2017 – 04.03.2017

 

Choreographer and Director: Shelley Lasica
Collaborators: Ellen Davies, Timothy Harvey, Louella Hogan, Daniel Newell, Lilian Steiner, Jo White

The Design Plot is a performance project that develops structures that bring together spatial mapping, systems of sensory awareness, construction as scenography and explores the potential for collective improvised decision making.

The work will unfold through a methodology that includes open research sessions, performance and the development of performance mechanisms through daily choreographic and physical practice. 

Opening dates and times:
23–25 February: 12–5pm
Thursday 2 March: 12–5pm
Friday 3 March: 12–3pm
Saturday 4 March: 12–6pm, with a closing celebration from 4pm to 6pm


Shelley Lasica is one of Australia's most celebrated dancers and choreographers. Her practice is characterised by cross-disciplinary collaborations and an interest in the presentation of dance in various contexts. Lasica has choreographed, directed and performed dance works in spaces throughout Australia and internationally including Melbourne Festival; National Gallery of Victoria, Melbourne; Centre Nationale de la Danse, Paris; Siobhan Davies Studios, London; Dance Massive, Melbourne; and MPavilion, Melbourne. 

The Design Plot is an evolving project framework with other iterations occurring at MPavilion, Melbourne and RMIT Design Hub, Melbourne.

This project is supported by the City of Yarra and Gertrude Contemporary. 

 

Location: 44 Glasshouse Road, Collingwood

Image: Shelley Lasica, Solos for Other People, 2015, Dance Massive 2015, basketball stadium, Carlton Baths, Melbourne courtesy of Shelley Lasica, © Gregory Lorenzutti for Dancehouse 

IN CONCERT
05.03.2016 – 14.05.2016

Gertrude Glasshouse: 44 Glasshouse Road, Collingwood
Opening hours: Thursday–Saturday, 12–5pm 

Exhibition dates: 5 March–14 May
Exhibition opening: Saturday 5 March, 3–5pm 

Gertrude Contemporary is proud to present In Concert, an exhibition featuring work resulting from partnerships between Gertrude Contemporary Studio Artists and key arts and local organisations.

Taking place in Gertrude Contemporary’s recently opened project space, Gertrude Glasshouse, In Concert will chart the boundaries of these art collaborations, examining the shifting and dynamic nature of the process across practice, medium and location. The widely divergent outcomes of these relationships—ranging from turf paintings, public soccer matches, rap videos, workshops, photoshoots, and individual artworks—reflects the possibilities for diversity and collaboration beyond the traditional confines of the gallery.

Gertrude Contemporary Studio Artists have worked with artists from Arts Project Australia and Kaleidoscope, Scope Victoria, and students from Collingwood English Language School, St. John’s and Fitzroy Primary School. This exhibition is a culmination of these significant relationships developed over the past three years with the generous support of the Marjorie M. Kingston Trust.

- Charlie Sofo and Mark Smith, Arts Project Australia
- Minna Gilligan and Eden Menta, Arts Project Australia
- Sean Bailey and Caroline Sant, Kaleidoscope, Scope Victoria
- Fergus Binns and Greg Muir, Kaleidoscope, Scope Victoria
- Søren Dahlgaard and Fitzroy Primary School
- Kelda Free and David Brazier and Fitzroy Primary School
- Tully Moore and Fitzroy Primary School
- Claire Lambe and Collingwood English Language School
- Hamishi Farah and St. John’s Primary School, Clifton Hill

A full media release is available here.