Hours of operation

Poetic response to Lisa Waup’s muddy edges

Installation view of Lisa Waup, muddy edges, presented at Gertrude Glasshouse, 2024. Image: Christian Capurro

By Maya Hodge

As the water ripples and the birds chatter and sing
She collects slippery shells, kelp and tendrils of rope
These fragments of Country humming deep in her bag 

Mud and shell and seaweed stuck to cold fingertips

Weaving and threading pieces of time together
Breath and paper and the sound of home – all around
Mixing piment, brushing ink and smearing ochre

Installation view of Lisa Waup, muddy edges, presented at Gertrude Glasshouse, 2024. Image: Christian Capurro

Peeling back layers of paint to get to the unknown
Collecting the forgotten and giving it back its name
Country never forgets never forgets never

Mud and shell and seaweed stuck to cold fingertips

At the centre are the waterways and how we hold them
How we represent them and let them lead us home
Mixing together pigment and the waterways

Melting together into an old song made anew
Into lines on paper which bloom and spread;
A reflection of Ancestral knowledge and memory

Mud and shell and seaweed stuck to cold fingertips

Installation view of Lisa Waup, muddy edges, presented at Gertrude Glasshouse, 2024. Image: Christian Capurro

Bare feet upon swift-moving sand and inland to the wetlands
Bare feet upon soft mushy muddy landscapes
Drawing new landscapes with bare feet upon Country

What is it to print storytelling into paper?
What is it to press hands into ink?
Into the the surface of what is unseen?

Mud and shell and seaweed stuck to cold fingertips

Carrying into the world your Old Peoples language
Within your body the knowings lay resting
Lay waiting to trace into the bare tapa

Patterns of cultural memory unfurl like new shoots
The paper looped above us shifts in the breeze
Intricately weaving our inheritances over and over

We don't create for arts sake
We have stories we must tell
Stories of this place – of our bloodlines and spirit 

Mud and shell and seaweed stuck to cold fingertips

Installation view of Lisa Waup, muddy edges, presented at Gertrude Glasshouse, 2024. Image: Christian Capurro

How do we adorn ourselves?
Thread the rope, the feathers and material
Dipped into the body of Country we radiate 

To be a mother, to be a daughter, to be an aunty
Is like a deep-dusky-dirt-red-sunset love
We adorn to love, to remember, to honour 

Twisting shapes with the hands of your mother
Passed down through long generations
Hear the way the material shifts against itself

Mud and shell and seaweed stuck to cold fingertips

Hard drought gives way to devastating flood
Gumtrees would bend in the hot wind
Blowing in sand from the car window

Country bows in the pressure of new water
Colossal colonial structures have done this
What if we were to pick the weirs up like – 

Mud and shell and seaweed stuck to cold fingertips

Installation view of Lisa Waup, muddy edges, presented at Gertrude Glasshouse, 2024. Image: Christian Capurro

We press our designs of these stories into the present
So they don’t forget and we don’t forget
The shape of Country and the lines that connect us

The hundreds of thousands of years of story
Embossed into the tapestry of our existence
The kin, language, culture, ceremony, lore, law, knowing, being 

The ways our mob trace into the fabric of our people
The impressions of the reflections of the beating heart of Country
The way our making is a means of survival 

We continue to storytell, to paint, to dance, to draw and sing out to Country and our waterways with –
                                     mud and shell and seaweed stuck to cold fingertips.

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Gertrude Contemporary

Wurundjeri Country
21-31 High Street
Preston South VIC
Melbourne, Australia

Opening hours:
Tuesday–Sunday 11am–5pm

Gertrude Glasshouse

Wurundjeri Country
44 Glasshouse Road
Collingwood VIC
Melbourne, Australia

Opening hours:
Thursday–Saturday 12–5pm